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Wednesday, September 8, 2010

Swarna Gowri Pooja




FAQ of Swarna Gowri Pooja:
Disclaimer: Procedures vary from region to region and vary from paddathi to paddati. It is best to consult elders at Home to know about your paddat hi . What ever we have t ried t o Answer here is as I have seen at my home (we are Hindu-Brahmin- Smart ha -Mulakanadu)
1. What direction should the God face:
Pl. keep t he god facing East – Best Opt ion
Or Nort h – Medium Option. Please note that God can be kept facing any in Direction………. “Daivataha : Sarvato mukhaha”….(that means, Gods are facing all directions)……as far as possible, keep god facing in such a way t hat , as soon as somebody ent ers t he house, t hey are able t o see t he god direct ly… it is your convenience….. How ever, You must face t o t he East or North while sitting for pooja and sankalpa that is important.
2. What direction we should sit for pooja:Pl. sit facing East or North Direction.
3.Can I St art t he pooja in Raahu Kaala: Pl. Note that the Raahu Kaala is followed only for Journy purpose and starting any big events. But it is not followed for daily event s and periodical rituals. This is a periodical rit ual (Varshe, Varshe kart avya: …. That means every year rit ual….).. so in my opinion, you need not see rahukaala t o observe his vrat ha. Shara---- Pl. look at rahu kaala if t his is first year of your pooja (newly married first timers)
4.When do I t ake Mangala Snaana: People who are all doing pooja…sumangalis and t he children should t ake mangala snaana on t he previous day of t he pooja…. That is on Bidige(2nd day of the lunar Mont h) …. On t he pooja day (t rit eeya), you should t ake normal bat h…
5.How many Threads should be kept for pooja: It depends on how many people are sit t ing for pooja. Normally Minimum of two threads are to be made……... Suppose, two of you are sitting, then two is enough. If three of you are sitting keep 4 like that.
6.Each Daara should be of how many t hreads, and how many Gant us.(Knot s): t he Shast r a says, Shodasha Grant hi Sanyukt am, Krut am Shodasha Tant ubihi…. That means, it should be made of 16 t hreads and 16 gant us. But Normally, you t ake single t hread hasi daarada unde, make five folds of daara with a length of about little more than a mola and put 16 gantus. Take one Shavantige hoova and tie it at the center of the daara. You need to soak the daara with arishina.. keep it on viledele (2) and adike(2) and dakshine, keep it in a small plat e and pl ace it on t o t he right side of t he Devi and do Pooja.
7.What i s t he pr ocedur e t o t i e t hi s daar a(Door a Gr ant hi ): Normally, aft er t he pooja, if Husband is around, (with Panche and shalya), He will tie this. Give this Daara to him. You keep one t aambula wit h a fruit and dakshine in Bot h of your hands…….. t aambula facing Husband…you facing North or East…and Sit. Husband will show/ t ouch this daara first to right hand, and later left hand (at the place where you tie watch)……like this for three times and finally tie the daara with three knots on to your right hand. After that, he will put arishina and kumkuma to the knot s. You will keep t he t aambula down,…get up and give him akshaat e and do namaskaara.
If Husband is not around, next choice is amma, or atte, or any other sumangali around….The
daara tieing procedure is same.
8.Minimum - How many co-conuts you need for pooja – Tot ally 4……One for Nivedya, one for Poorna Phala… Two for Upayana Daana……… if two of you are sitting, you need to keep two more extra ….. Multiplies of two for any additional Sumangali sitting for pooja.
9.Minimum How many Bananas You need for pooja..About ½ KG Banana t ot aling about 6 in Nos.
10.What i s M adhu par ka:…….. Madhu means .. Honey…. Parka me ans Curds… so t ake a Banana and
peel it from t he flower side of the fruit and immerse it in Honey, Sugar, and Curds and keep it on
beet le leaves and beet le nut s wit h Dakshine and do nivedya aft er shast riji recit ing Mantra……….
11.How many Gow r i s w i l l have t o be kept i n t hi s pooj a ……. One Maralu Gowri (or Mannina Gowri
called saikat a Gowri), One Arishina Gowri(called Daakshayini Gowri)…. Five of Mangala Gowri (if
applicable t o you)…. One Mannina Gowri (called alankaara Gowri)…. One Mukawada (Opt ional)
12.How to decorate the god for this pooja……. It is actually left to your imagination…but I will tell you what I have seen……..The best is t o keep God in a Mant apa(Wooden)… ot herwise, Take a Stool or Teepai(Center Table) Clean it…. Put rangoli on it Asta Dala Padma….……. Take Annada Tappale with big base and small top… Place it on the stool and fill this with Rice to gain Weight ……. And decorat e t his t appale wit h Saree nerige and Blouse Piece…… let t he fall of t he saree come downwards, so that pallu and border are visible… Take one Silver Thatte big and drape arishina (cot t on) blouse piece on the plate and Pour Akki about ½ KG in it …… place the Gowramma on t his. Take small silver kalasha and put ganga/ wat er (aft er gange pooje) in t o t his and decorat e wit h five viledele….keep a small mirror in front of kalasha….Keep the Mukhavada in t he cent er and keep big bindi of kumkum t o t he mukhavada….Keep one Gangast aali and one Annapoorneswari Vigraha for pooja purpose…..keep one set of bale, bichole, kaadige, kannadi and other aabharana items of Gowramma to the right side of Mannina Gowramma……. Keep one belli (silver) Ganesha Vigraha in a separate plate for Ganesha Pooja Purpose….. Now decorat e t he t able wit h Balekambha and t orana (Mango leaves) and put rangoli…Keep Deepada Kambha on eit her side of t he t able (st ool)…Keep one small Devi Vigraha in small silver plat e at the center of the stool on the ground on a Mane or some thing to gain a little height to enable you to do kumkumaarchane……Please take care to bring only Mud type Gowramma and not plast er of paris and ot her mat erials et c.,…. Keep a Devi phot o at t he back t o give more look.. decorate with Flowers, Torana etc.,….
13. .How to get Gange(sacred water collection) for this pooja…….. go near a well or go to nadi(River) , or kere or any good wat er body…..clean t he well area…(earlier days, people used t o whit e wash t he wells for t he pooja day)….. put rangole……. keep deepa(2) t here….. put arishina kumkuma for t he face of t he well……..Do small Ganapathi pooja there… ask his permi ssion to take care of pooja well (NirviGhnam kurume deva, sarva kaaryeshu sarvadaa) …..get the water from t he well soak t he black blouse and whit e piece and squeeze it… keep good quality mud ready (t aken from t ulasi mannu) and lit t le bit of maralu…make maralu gowri and arishina gowri there……… decorate with arishina kumkuma… do small pooja with flowers , gejje vastra etc.,… keep small nivedya as well…. Some people will break coconut here……… make aarathi….with gowri haadu…. Bring it near the door of the house with ghanta naada and haadu etc.,……..do tulasi pooja and hosti l a pooja…. Keep deepa at host ilu….decorat e face of t he house door wit h
gejje vastra….. Do aarat hi for gowramma… wit h gant a naada… place t he Gowramma at pooja place.. adjust t o t he god cent ering et c.,….dry t his black blouse piece and whit e blouse piece and put it on gowramma…some people put kari mani sara also…..place a ganga staali and annapurneswari vigraha… keep one ganesha vigraha also in separat e plate in front for purpose of Ganesha Pooja…. Use the same water for the whole pooja….
14.How many Yele Gejje Vastra Should be there for this vrata…. This is called Swarna Gowri
Vrat a…please make 16 yele Gejje Vast ra….and soak it arishina
15.What ar e t he Ni vedya It ems f or t hi s pooj a………. I will t ell you only what is minimum required…. Hannu (5 t ypes each t wo nos.) …t engina Kaayi (1) …Viledele(16), Adike (16), (Adike Pudi --- if you are doing maha nivedya)…dakshine…..is enough… but normally I have seen… 16 Bele Obbattu, kosambri (2 t ypes), Paanaka, gulpapde….16 nos.-Chigali (16) .. Tambit t u(16)....----Maha nivedya ( wit h full of t he adige what you have prepared …Keep it in silver plat e or Baleyele wit h agra)
16.How t o keep t hese it ems for Nivedya……. Make a Mandala…take water in you hand sprinkle it on t he floor with full of palm facing down…..if you are facing east…use your first three fingers put it on t he ground…start towards your left…….complete to Make a square….. do not lift your hand… make a diagonal to end mandala in north east direction… put akshate in all the four corners of the square and a little at the center. This is called mandala. If you are facing north… use your first three fingers put it on the ground… start upwards… turn right….. complete the square…. Do not lift t he hand…. Complet e t he diagonal wit h nort h east direct ion….. put akshat e as t old above… if you are keeping hannu kayi… keep it on a plat e wit h t aambula and dakshine and keep it at one corner of mandala…… keep fruits also along with it…. All the flowers of the fruits should be looking up…..avoid keeping papaya……papaya not allowed as an item of nivedya....if you are keeping maha nivedya…. Please use t wo banana leaves (some people use wit h only one banana leave.. t his is wrong)…..Banana leave should be wit h agra and place it in front of t he god wit h agra facing as t hough god is eat ing. That means, if god is facing east , t hen agra should come t o nort h…(left hand side of god) ……. first put ghee on t o t he bale yele with help of flower (paatra abhigara)…. Then start serving in bale yele in the traditional way as we do .. with two kosambri, two palya… one payasa.. one chitranna… poppu…maggige huli/ Kuutu.. Obbattu…etc., Lastly serve Anna Two times…now in the end you should put tuppa (abhigaara)….. Please note that tuppa has to be served in t he last aft er every thing is over…..
(t hat means… you shouldnot serve every t hing in t he plat e and put t uppa in t he kit chen and
bring it keep it in front of god)….. all the items like…. payasa lota.. paanaka lota… halu lot a…mosaru lot a.. should come t o t he left corner of bale yele…keep one glass of wat er(silver or copper) at t he right side of t he yele… all t he bakshya like obbat t u, bonda/ bajjji/ Aaambode …. should come below chit ranna…. And in t he end you should put abhigaara t o anna first , payasa next .. and t o bakshya t hird……keep t wo line rangoli in front of yele…. Keep t wo t uppada deepa in front of yele…….Keep viledele (16 or 5 will do) and adike pudi in a separat e plat e ……now you do nivedya as per shast ry ji’s mant ra…….
17.When we have t o give t his shurpa vaayana dana (Baagina).. …. The answer for t his is, soon after the vratha and before lunch… on the same day….. if not possible… you should give this before udwaasana of Gowri …..(t hat is before immersion)

18.How t o make r eady Baagi na f or t hi s pooj a……t ake one set Jodi mora…. Decorat e t he same wit h arishina, Kumkuma and color paper et c.,…. Take a small Banana leave and cut it t o size, drape it on one of t he mora…. Put all types of Bele(pulses like t ogari, hesaru, uddu, kadale) in zip lock covers small, Gowri Saamanu, Fruit s 5 t ypes, blouse piece, godhi or rave, bella one acchu, all in small zip lock covers and one lit t le big cover of Rice, bale, bichole.. arisina kumkuma packet, jacket piece,Tengina Kayi, silver bowl (optional), Saree (must for taayi baagina)…. Keep one taambula, with one type of fruit on the top while giving away this baagina…..,
19.How many Baaginas for this pooja…… one t aayi baagina…. One Gowri Baagina… anot her t hree may be optional….. total five…. Keep it ready before pooja and place it to the right side of the teepoi or stool. After taayi Bagina and Gowri Baagina,…. you can rotate remaining three baaginaas bet ween t he guest s….. please do not mix up t aayi baagina.. and gowri baagina…..and don’t ’ indulge in ‘give and t ake’ of t hese t wo baaginaas
20.Can I prepare more baginaas??? How many baaginaas we should keep ready…….. Pl. keep ready minimum two…… or five……if your guest(count sumangalis only) list is more… then do additional…….pl. note first year sumangalis should make ready 16 baaginas…. But the rule is whatever nos, you have prepared are t o be dist ribut ed among sumangalis before udwaasana of Gowri ….. you should not keep it pending with out distributing….
21.How many baaginas for first year(after Marriage) Gowri Pooja..16 (Sixteen) Baaginas …. This t ype you should give 16 baaginaas for cont inuous Five years. If not possible t o give all t he five years, give 16 baaginaas for t he first year, and the fift h year.
22. Should I put Belli Battalu in all the Baaginaas… Yatha shakti… or One minimum….to taayi
Baagina.
23.Is it a Must t o put Saree in all Baaginaas….. Yat ha shakt i… not a must … at least one in Taaayi
Baagina is a must …. Rest all Blouse Piece will do.
24.How t o give baagina t o sumangalis…………….preferably make t he sumangali sit in East or Nort h direction. Give Arishina, Kumkuma, Chandra, Prasadada Hoova ….. take the Baagina…. Keep one Taambula with fruit on the top of baagina try to balace the fruit or try to keep the fruit (tip use your bot h t humbs)…. Take baagina along wit h pallu and hand it over t o t he sumangali….. while holding t he baagina you should swing it sideways t hree t imes and keep it down. Give akshat e and do namaskaara.
25.Should I make baaginas ready for my small daught er/ s also…… yes. We make ready small baaginaas for daughters also. We keep their interesting items like chocolate and small ata samanu in t his…. Not a must …but feels good…….
26.What i s uppakki , Poppakki ……….. Pl. not e t his uppakki and poppakki is kept before t he lunch on Gowri udwasana day….. this is done after punah pooja…..Take one plate of Rice, one plate of bele (t ogari)and keep it ready……Draw go-padma rangoli on a mane (peet ha)……keep t wo plat es on t his mane….keep t his mane near Gowri t o t he right side…….t ake one hand full of t ogari bele in right hand… take a hand full of rice in left hand…..cris cross the hand three times……tell “atthe dhandana galagi” and drop rice and bele in a cris cros way on to the plate on the peetha. Repeat t his t hree t imes. Pl. not e t hat all t he sumangalis who have done pooja, should keep t his uppakki and poppakki, after this, madilut umbuvudu should be done.
27.What ar e al l t he i t ems f or M adi l u t umbuvudu…..blouse piece, t enginkayi(coconut ), bella(achu),
copra, akki, viledele,dakshine, arishina Kumkuma
28.What is the procedure for madilu tumbuvudu….Aft er udwasana and uppakki, poppakki, keep the whole silver plate down along with gowri Sari….. and put the Madlakki items one by one in both hands. Sing Madlakki haadu also…..Gowri seeriyalle madilu tumbuvudu.
29. When is madilu tumbuvudu done… after the udvaasane and after upppakki and poppakki………..Normally udwasane should be done after punah pooja and aarathi and ooota (Lunch) for that day. Please note that all the sumangalis who have done pooja should participate in this.
30.What is the procedure to do punah pooja…… lamp t he deepas…. Do pooja in normal way….. t ake t he poornaphala kept at t he right side of t he god …. Use t he same for Nivedya………. And chant yesyessmrityacha……… anena Swarna Gowri Pooja Vidhanena Bhagavathi sarvaatmikaa swarnaGowri supreet a suprasannaa varadaa bhavat u……. t ake a spoon full of wat er, akshat e,and flower and leave it in anot her bowl. Do aarat hi wit h Mangala Haadu and t hen t ake permission f rom elders at home and do udvaasane.
31. When do you do devara kadalisuvudu.. (Udwasane)….. on an auspicious day as per panchaanga…. This time, since it has come together, we plan to leave on the same day……. Ot herwise, as per panchanga on t he 11th day(2-09-09).
32.What i s t he pr ocedur e t o i mmer se Gow r i Ganesha…. After udvaasane, with ghante and haadu, come near the well … decorate well with rangoli, deepa etc.,.. keep the god to the east direct ion… do t he shodashopachaara pooja… do hannu kaayi nivedya.. and do mosaru avalakki nivedya….. do mangalaarati and end the pooja.. now do aaarathi… take prasada hoova etc.,… now t ake gowramma first along wit h small Ganesha and immerse in wat er aft er t hree rounds of rinsing in water. …Chant Ganapathi mantras and Gowri Mantras… or Haadu… or Ganapathi Bappa mouria, Mangala Moorthy Moria slogan(this is North Style)……. Then take Ganesha and repeat the procedure…. Now take a piece e of gejje vastra and tie it to your taali sara…….. Look at t he wat er in t he well and do t he final namaskaara and come back t o house. Do not clean t he pooja area immediat ely.. clean t he area aft er some t ime…. Or probably t he next day…
33. What is the nivedya at the time of Idol Immersion….. For the immersion day, you should prepare 5 t ypes of rice(chitraanna, puliyogare,shaalyanna,pongal, and normal white rice) this is for Nivedya for lunch…at t he t ime of immersion, aft er t he pooja near well , please keep - mosaru avalakki, hannu kaayi Nivedya.dist ribut e t his mosaru avalakki near t he well aft e r idol immersion.
34.What should be t he mindset of a person, while doing any vrat ha……..Any person doing vrat ha should posses these qualities Kshama(pardon), Satya(truth), Daye(kind to others), Daana(give away), Shuchitva(Cleanliness), Indriya Nigraha(control on your body and soul), Devathaarchane(house hold pooja of your family diety), havana, santhosha(you should be happy), achourya(opp. Of st ealing). This is in general…. At t he t ime of pooja, t he mind should be calm and concentrated towards the god only. Kanniru surisuvudu (crying) and sittu maduvudu(kopa) is totally prohibited. No use of doing vratha in this mind set.(the house hold GAS burner should be off(joke))
35.What i s t he pr ocedur e t o gi ve upaayana daana f or Pur ohi t ……Give gandha, t hen akshat e, t hen
keep some prasaadada flowers in a plate and give. Afterwards, give upayanadana after putting
a drop of wat er on t o bot h of t he co-conut s. Give along wit h dakshine. Do namaskaara. Then,
purohit aru will accept t he t aambula and give you flowers wit h aashirvaada.
Points to note in General:
PS: Please avoid bringing out side food it ems/ ordered food items like obbat t u and Ambode et c., and keeping it for nivedya…. It is advisable t o do t he same at home and keep it for nivedya. Pl. note that Preparing for Nivedya is part of bhakti.
Dress code: Traditional Saree only. (if any other dress like selvar etc.,, it is difficult to give baagina.
Pl. avoid such dresses). Traditional saree means, the one with pallu and border on both top and
bottom.
Hair do:While doing pooja, your hair should be well tied(you should not let loose the hair while
doing pooja. This is as per dharma Shaast ra) and you should wear a flower also.
About Bale: Pl. wear Minimum Jodi bale at least at t he t ime of pooja. (I mention this because, some
wear only one on each hand)
Please avoid keeping bindi while doing pooja…use pudi kumkuma only….
No eat out s please on t his day….
Bhakti Shraddha Gariyasi………. Only Bhakti and Shraadha(devotion with concentration) is
required in spite of all the above procedures………….Pl. keep in Mind….
Om Tat Sat u………. Shubham.. Mangalam…. Kalyanam….. Shivam………Sri Jagambaarpanamast u…

Wednesday, August 11, 2010

Vishnuvardhan




VishnuVardhan(Sampath Kumar),who later turned out to be the Sampath(Treasure) of Karnataka was born on September 18, 1950.
Late Sri.H.L.Narayan Rao and Late Smt. Kamakshamma were his parents.His father was a famous artist and script writer for movies. Vishnu's family were living in Mysore's Chamundipuram.In those days, his father was well known for his collection of Musical Instruments and taught dancing.Infact one of Vishnu's sister,Smt. Ramaramachandra was a famous kathak dancer, who was praised by the then king of Mysore, Late Sri.Jayachamarajendra Wodeyar.This is ample proof that Vishnu had talent in his blood.
Vishnuvardhan did his primary schooling in Mysore's Gopalswamy School.His middle school in Bangalore's Kannada Madari School.His high School and his degree in the National College, Basavanagudi, Bangalore.
Vishnu was married to Bharati on the 27th of february 1975 at Kuchalamba kalyana Mantapa in Bangalore.


Movies List

1. Vamshavraksha Girish Karnad 1972
2. Nagarahavu Puttannn Kanagal 1972
3. Seethe Alla Savithri Jayalakshmi 1973
4. Mane Belagida Sose Shrikanth 1973
5. Gandhada Gudi Vijay 1973
6. Bhoothayana Maga Ayyu Siddalingaiah 1974
7. Professor HucchuRaya A.R.Vittal 1974
8. Anna Athige A.R.Vittal 1974
9. Devaragudi R.Ramamurthy 1975
10. Koodi Balona A.R.Vittal 1975
11. Kalla Kulla K.S.R.Das 1975
12. Bhagya Jyothi K.S.L.Swamy 1975
13. Nagakanye S.V.Rajendrasingh Babu 1975
14. Onde Roop Eradu Guna A.M.Samiullah 1975
15. Devaru Kotta Vara R.Ramamurthy 1976
16. Hosilu Mettida Hennu V.T.Thyagarajan 1976
17. Makkala Bhagya K.S.L.Swamy 1976
18. Bhangarada Gudi K.S.R.Das 1976
19. Bhayasade Bhanda Bhagya R.Ramamurthy 1977
20. Sose Thanda Soubhagya A.V.Sheshgiri Rao 1977
21. Nagarahole S.V.Rajendrasingh Babu 1977
22. Chinna Ninna Muddaduve A.M.Samiullah 1977
23. Shrimanthana Magalu A.V.Sheshgiri Rao 1977
24 Sahodara Savaal K.S.R.Das 1977
25. Shani Prabhava Rathnakar-Madhu 1977
26. Galate Samsara C.V.Rajendran 1977
27. Kittu Puttu C.V.Rajendran 1977
28. Hombisilyu Geetapriya 1978
29. Sandharbha Gaurisundar 1978
30. Kiladi Kittu S.V.Rajendrasingh Babu 1978
31. Vamshajyothi A.Bhimsingh 1978
32. Muie Ge Muie Y.R.Swamy 1978
33. Siritanakke Savaal T.R.Ramanna 1978
34. Prathima T.R.Ramanna 1978
35. Nanna Prayaschita Ugranarasimha 1978
36. Sneha Sedu V.Madhusudhan Rao 1978
37. Kiladi Jodi S.V.Rajendrasingh Babu 1978
38. Vasanth Lakshmi A.V.Sheshgiri Rao 1978
39. Amarnath Manimurugan 1978
40. Bhale Huduga T.R.Ramanna 1978
41. Madhura Sangama T.P.Venugopal 1978
42. Singaporalli Raja Kulla C.V.Rajendran 1978
43. Asadhya Aliya Bhargava 1979
44. Vijay Vikram V.Somashekar 1979
45. Naniruvude Ninagagi A.V.Sheshgiri Rao 1979
46. Manini K.S.Sethumanadhavan 1979
47. Nentaro Gantu Kallaro A.V.Sheshgiri Rao 1979
48. Nanna Rosha Nooru Varusha Joesimon 1980
49. Rama Parushurama Vijay 1980
50. Kalinga V.Somashekar 1980
51. Hanthakana Sanchu B.Kishan 1980
52. Makkala Sainya Lakshmi 1980
53. Biligiriya Banadalli Siddalingaiah 1980
54. Simhajodi Joesimon 1980
55. Rahasya Rathri M.S.Kumar 1980
56. Bhangaradha Jinke Nagabharana 1980
57. Driver Hanumanthu K.S.L.Swamy 1980
58. Mane Mane Kathe Rajachandra 1981
59. Naaga kala Bhairava Tiptur Raghu 1981
60. Mahaprachandaru Joesimon 1981
61. Guru Sishyaru Bhargava 1981
62. Snehitara Savaal K.S.R.Das 1981
63. Avala Hejje Bhargava 1981
64. Preetisi Nodu Geetapriya 1981
65. Pedda Gedda Bhargava 1982
66. Sahasa Simha Joesimon 1982
67. Karmika kallanalla K.S.R.Das 1982
68. Oorige Upakari Joesimon 1982
69. Jimmi Gallu K.S.L.Swamy 1982
70. Suvarna Sethuve Geetapriya 1982
71. Onde Guri Bhargava 1982
72. Kallu Veene Nudiyithu Tiptur Raghu 1982
73. Sididedda Sahodara Joesimon 1983
74. Muthaide Bhagya Chandrashekar Sharma 1983
75. Gandharva Giri Dhananjaya 1983
76. Gandugali Rama Bhargava 1983
77. Chinnadantha Maga K.S.R.Das 1983
78. Simha Garjane S.V.Chandrashekar 1983
79. Prachanda Kulla P.S.Prakash 1983
80. Rudranaga Manimurugan 1984
81. Khaidi K.S.R.Das 1984
82. Benki Birugali Tiptur Raghu 1984
83. Indina Ramayana Rajachandra 1984
84. Bhandana S.V.Rajendrasingh Babu 1984
85. Huli Hejje K.S.L.Swamy 1984
86. Chanakya V.Somashekar 1984
87. Aaradhane Deepakjalraj 1984
88. Madhuve Madu Tamashe Nodu Sathya 1984
89. karthavya K.S.R.Das 1985
90. Mahapurusha Joesimon 1985
91. Veeradhi Veera Vijay 1985
92. Nee Bareda Kadambari Dwarkish 1985
93. Mareyada Manikya Vijay 1985
94. Nanna Prathigne K.S.R.Das 1985
95. Jeevana Chakra Bhargava 1982
96. Nee Thanda Kanike Dwarkish 1985
97. Karna Bhargava 1986
98. Kathanayaka P.Vasu 1986
99. EE Jeeva Ninagagi V.Somashekar 1986
100. Sathya Jyothi K.Rangarajan 1986
101. Krishna Nee Begane Baro Bhargava 1986
102. Malyamarutha Ravi 1986
103. Premaloka Ravichandran 1987
104. Saubhagyalakshmi Bhargava 1987
105. Karunamayi Bhargava 1987
106. Jayasimha P.Vasu 1987
107. Aaseya Bhale Rajkishore 1987
108. Jeevana Jyothi P.Vasu 1987
109. Shubhamilana Bhargava 1987
110. Sathyam Shivam Sundaram K.S.R.Das 1987
111. December31 Manobala 1988
112. Olavina Aasare K.V.Jayaram 1988
113. Nammora Raja Bhargava 1988
114. Jananayaka Bhargava 1988
115. Suprabhatha Dinesh Babu 1988
116. Krishna Rukmini Bhargava 1988
117. Dada P.Vasu 1988
118. Mithileya Seetheyaru K.S.L.Swamy 1988
119. Ondhagi Bhaalu K.S.R.Das 1989
120. Hrudhaya Geethe Bhargava 1989
121. Rudra K.S.R.Das 1989
122. Deva Vijay 1989
123. Doctor Krishna Paniramachandra 1989
124. ShivaShankar Bhargava 1990
125. Mutthina Hara S.V.RajendraSingh Babu 1990
126. Mathe Hadithu Kogile Bhargava 1990
127. Lion Jagapathirao Saiprakash 1991
128. Neenu Nakkare Haalu Sakkare Dhore-Bhagwan 1991
129. Jagadeka Veera Bhargava 1991
130. Police Mathu Dada Thulsi-Shyam 1991
131. Rajadhi Raja Bhargava 1992
132. Ravivarma Joesimon 1992
133. Harikeya Kuri K.S.L.Swamy 1992
134. Nanna Shatru Bhargava 1992
135. Sangarsha Sunil Kumar Desai 1993
136. Vyshakada Dinagalu Katte Ramachandra 1993
137. Naanendu Nimmavane Paniramachandra 1993
138. Rayaru Bhandaru Mavana Manege Dwarkish 1993
139. Vishnu Vijaya Keshu 1993
140. ManiKantana Mahime K.Shankar 1993
141. Nishkarsha Sunilkumar Desai 1994
142. Time Bomb Joesimon 1994
143. Kunthi Putra Vijay 1994
144. Samrat Naganna 1994
145. Mahakshatriya S.V.RajendraSingh Babu 1994
146. Halunda Thavaru D.RajendraBabu 1995
147. Kiladigalu Dwarkish 1995
148. Kona Edaithe Bharavi 1995
149. Yamakinkara Prabahakar 1995
150. Mojugara Sogusugara Vijay 1996
151. Deerga Sumangali D.RajendraBabu 1995
152. Bangarada kalasa Bhargava 1995
153. Thumbida Mane Umesh 1995
154. Karulinakudi V.P.Sarathy 1995
155. Himapatha S.V.RajendraSingh Babu 1995
156. Appaji D.Rajendra Babu 1996
157. Hello Dady Naganna 1996
158. Karnataka Suputhra Vijay 1996
159. Dhani Balajisingh Babu 1996
160. Jeevanadhi D.RajendraBabu 1996
161. Balina Jyothi Dwarkish 1996
162. Mangalasoothra Balajisingh Babu 1997
163. Ellaranthalla Nanna Ganda Umesh 1997
164. Shruthi Hakida Hejje Dwarkish 1997
165. Janani Janma Bhoomi Bhargava 1997
166. Laali Dinesh Babu 1997
167. Nishabdha Dinesh Babu 1998
168. Yaare Neenu Cheluve D.Rajendra Babu 1998
169. Simhada Guri M.Narayan Rao 1998
170. Hendithge Helthini Dinesh Babu 1998
171. Veerappa Nayaka S.Narayan 1999
172. Habba D.Rajendra Babu 1999
173. Suryavamsha S.Narayan 1999
174. Premotsava Dinesh Babu 1999
175. Soorappa Naganna 2000
176. Deepavali Dinesh Babu 2000
177. Nanna Hendthi Chennagiddale. Dinesh Babu 2000
178. Yajamana. Seshadri & Radha Bharathi 2000
179. Diggajaru. D.Rajendra Babu 2001
180. Kotigobba. Naganna 2001
181. Parva. Sunil Kumar Desai 2002
182. Jamindarru. S.Narayan 2002
183. Simhadriya Simha. S.Narayan 2002
184. Raja Narasimha. Muthyalu Subaiah 2003
185. Hrudayavantha. P.Vasu 2003
186. Kadamba. Suresh Krishna 2004
187. Apthamitra. P.Vasu 2004
188. Sahukara. Om Prakash 2004
189. Jyeshta. Suresh Krishna 2004
190. Varsha. S.Narayan. 2005
191. Vishnu Sena. Naganna. 2005
192. Nenello Nanalle. Dinesh Baboo. 2006
193. Sirivantha. S.Narayan. 2006
194. Ekadantha. Sachin 2007
195. Mathad Mathadu Mallige. Nagathihalli Chandrashekar 2007
196. Ee Bandhana. Vijaylakshmi Singh 2007
197. Nam Yajamanaru. Nagabharana 2009
198. Master. Dinesh Baboo 2010(Released after Ballary Naga)
199. Ballary Naga. Dinesh Baboo 2009
200. Aptarakshaka - Last Movie. P.Vasu 2010

Monday, August 2, 2010

Ashadh and marriage...Logical reason

Dear Friends,
Ashadha Masa has been much maligned for doing any good thing , leave alone
marriage.
Only logical reason that can be put forward is,

"India is an Agarian society where over 80 percent of people are involved in
agriculture"
Ashadha is the time when first rains are received and crop sowing/replanting
rice takes place.

Most of the society is involved in the farming work.
With rains coming down and people absenting themselves to be either in the
fields or confined to homes due to rains, marriages are ruled out.
Almost all activities except planting of crops came to a grinding halt in south
India(Especially).

So our ancestors declared Ashadha Masa to be not a good month to do any SUBHA
things.

Friday, April 16, 2010

Charli Chaplin


Life is a tragedy when seen in close-up, but a comedy in long-shot


The Kid (1921)


Many of Chaplin’s admirers regard The Kid as his most perfect and most personal film. Yet it seems to have been born out of a state of acute emotional turmoil in his private life.

In October 1918 Chaplin had compromised himself into a hasty marriage with a 17-year-old actress, Mildred Harris. The couple had little in common, and Chaplin’s personal boredom and frustration resulted in an acute creative block.

He later wrote : ‘I was at my wits’ end for an idea’.
Mildred became pregnant and gave birth to a malformed boy, who died after only three days. Chaplin evidently suffered acute trauma from this loss. But the responses of the creative mind are unpredictable. Only ten days after his own child was buried, Chaplin was auditioning babies at his studio. Suddenly the creative block seemed overcome. He was absorbed and excited by a new plan for a story in which the Little Tramp would become surrogate father to an abandoned child. The film would be called The Waif.

By chance, he visited a music hall where a virtuoso dancer was performing. At the close of his act, the dancer brought on his four-year-old son – a beautiful, sparkling little boy called Jackie Coogan. Chaplin had found his co-star. Jackie was a born mimic, and could perfectly imitate any action or expression Chaplin showed him. This made him the perfect collaborator. Chaplin was the supreme and sole creator of his films. His colleagues all agreed that if he could have done so, he would have played every part in every film himself. Failing this, he looked for actors and actresses who could and would faithfully and unquestioningly copy precisely what he showed them. In Jackie Coogan he found his ideal actor.

His inspiration seemed never to slacken during the shooting, which extended over most of nine months. The only interruption was when Chaplin took a couple of weeks off to knock out a cheerfully uncomplicated comedy, A Day’s Pleasure, to calm his distributors, who were desperate at the slow delivery of new pictures. Chaplin never seemed more dogged in his characteristic quest for perfection than in making The Kid He patiently shot scenes again and again until he was fully satisfied. In the end he had filmed more than fifty times the length of film that appeared in the finished picture. Such a shooting ratio – it was precisely 53 to 1 – was far higher than for any other film he ever made.

The Kid is perhaps Chaplin’s most potent marriage of comedy and high emotion. The story relates how an unmarried mother abandons a baby, which is found and unwillingly adopted by the Tramp. As the child matures to five or six years old, the two form a profitable business partnership: the boy goes round breaking windows, and his friend follows, earning an honest living by mending them again. The Tramp ferociously opposes the efforts of social workers to take the boy into public care, and finally he is reunited with his mother, now a successful opera singer.

The emotional element of the film reaches a peak of poignancy in the scenes where the social workers try to take the boy away to an orphanage. The anguish and ferocity of the Tramp’s fight to keep him are unquestionably inspired by memories of Chaplin’s own childhood heartbreak at being taken from his mother at seven years old and placed in a home for destitute children.

By the time shooting had ended, Chaplin’s now irretrievably estranged wife Mildred had begun a suit for divorce. Terrified that her lawyers would try to seize The Kid Chaplin and his most faithful associates fled California. The film was edited in secret in a hotel in Salt Lake City and an anonymous studio in New York. There were further financial problems with the distributors but when The Kid was finally released in February 1921, it was an instant triumph everywhere it was shown, perhaps the greatest triumph of Chaplin’s career.

Jackie Coogan, at 7, became a world celebrity, honoured by princes, presidents and the Pope himself when he embarked on a European tour. He enjoyed a brief film career as a child actor, but, as Hollywood wits declared, «senility hit him at 13 years old». As a young adult he found himself penniless: his mother and step-father had mismanaged his childhood earnings, and what little money was left was eaten up in legal battles.

The one good outcome was that Jackie’s much publicised problems led to the introduction of a law to give financial protection to child performers: into this day it is known as «The Coogan Act». In later life, Jackie, once the most beautiful child in the world, achieved very different new fame as the nastiest of old men, Uncle Fester in TV series The Addams Family.

All this though was still hidden in the far-off future in 1921, when The Kid gave Chaplin the only true co-star of his career, and brought both Chaplin and the child to an unparalleled peak of world fame and affection.

Text by David Robinson
Copyright 2004 MK2 SA




Friday, April 9, 2010

Blood Groups Types Explained



Blood Groups Types Explained
When your practitioner tells you your "blood type", you are being given two pieces of information - your Blood Group and your Rh Status.
1. Your blood group will be A, B, AB, or O. If you have "A" "B" or "O" blood group, you have antibodies in your blood plasma that destroy some of the other blood groups. If you have group "A" blood, you cannot receive blood that is group "B" and vice versa. If you have "O" blood, your body will create antibodies to fight "A" or "B" blood. If you have group "AB" blood however, your body will not create antibodies for any of the other blood groups.
2. Your Rh status will be listed as negative (-) or positive (+). If you have Rh- blood, your body may form antibodies against Rh+ blood and destroy it. In order for this to happen, you must first be exposed to Rh+ blood (i.e., through a blood transfusion or carrying an Rh+ fetus). This can be a problem if you have antibodies against Rh+ blood and are pregnant with an Rh+ fetus. However, there is medication that can prevent this reaction from occurring if it is given immediately after you are exposed to Rh+ blood.

Blood type Rh How many people have it?
O + 40 %
O - 7 %
A + 34 %
A - 6 %
B + 8 %
B - 1 %
AB + 3 %
AB - 1 %
Does your Blood Type reveal your personality?
According to a Japanese institute that does research on blood types, there are certain personality traits that seem to match up with certain blood types. How do you rate?

Blood Group Type and About Personality
TYPE O You want to be a leader, and when you see something you want, you keep striving until you achieve your goal. You are a trend-setter, loyal, passionate, and self-confident. Your weaknesses include vanity and jealously and a tendency to be too competitive.
TYPE A You like harmony, peace and organization. You work well with others, and are sensitive, patient and affectionate. Among your weaknesses are stubbornness and an inability to relax.
TYPE B You're a rugged individualist, who's straightforward and likes to do things your own way. Creative and flexible, you adapt easily to any situation. But your insistence on being independent can sometimes go too far and become a weakne ss.
TYPE AB Cool and controlled, you're generally well liked and always put people at ease You're a natural entertainer who's tactful and fair. But you're standoffish, blunt, and have difficulty making decisions.
Blood Typing
The chart of blood groups from whom you can receive the blood is given below.
Recipient Donor